One was a Dance Ballet (Nrutya Rupakam) on the life of Bhakta Ramadas, a revered 17th
The second was an amalgam of the three South Indian dance forms: Mohini Attam (slow
tempo), Bharata Natyam (slow/medium) and Kuchipudi (medium/fast), based on the theme of Shanmatham propounded by Adi Shankaracharya worshipping the six divine forms of Ganesha, Karthikeya, Shiva, Ambika, Vishnu and Surya. The exponents were Gopika Nair for Mohini Attam, Revathi Ramachandran for Bharta Natyam and Deepika Reddy (pictured here) for Kuchipudi. Each is an amazing danseuse in her own right - erudite, widely travelled and perfectionist. When they came togther as they did for three of the six dances, it was an amazing scene. The Ganesha Pancharatnam was the most impressive piece, based on Adi Shankaracharya's composition. The last piece, a Thillana worshipping the Sun God, was also a magnificent confluence of South Indian dance.Both were part of the ten-day long 47th Annual Festival organised by the South Indian Cultural Association (I got to see only these two). Unlike most programmes at Ravindra Bharathi these were paid programs, but the price was well worth it. It was interesting to see some young people in the audience too (though the majority were gray haired).
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