As I am beginning to explore the cultural and non-IT face of Hyderabad, I came across two cultural programs that were real gems performed at the
Ravindra Bharathi .
One was a Dance Ballet (
Nrutya Rupakam) on the life of
Bhakta Ramadas, a revered 17
th
century poet-saint. This was performed by
Ananda Shankar Jayant (pictured), who drew upon many of
Ramadas's immensely popular and moving
compositions (
kritis) in Telugu. Titled "
Sree Rama Nee
Namam Emi Ruchira" the ballet was based on the
Bharata Natyam style of dance. One of the most impressive pieces was "
Takkuvemi Manaku" in which all the ten avatars of Vishnu are alluded to.
The second was an amalgam of the three South Indian dance forms:
Mohini Attam (slow

tempo),
Bharata Natyam (slow/medium) and
Kuchipudi (medium/fast), based on the theme of
Shanmatham propounded by
Adi Shankaracharya worshipping the six divine forms of Ganesha,
Karthikeya, Shiva,
Ambika, Vishnu and Surya. The exponents were
Gopika Nair for
Mohini Attam,
Revathi Ramachandran for
Bharta Natyam and
Deepika Reddy (pictured here) for
Kuchipudi. Each is an amazing danseuse in her own right - erudite, widely travelled and perfectionist. When they came
togther as they did for three of the six dances, it was an amazing scene. The Ganesha
Pancharatnam was the most impressive piece, based on Adi
Shankaracharya's composition. The last piece, a
Thillana worshipping the Sun God, was also a magnificent confluence of South Indian dance.
Both were part of the ten-day long 47
th Annual Festival organised by the South Indian Cultural Association (I got to see only these two). Unlike most programmes at
Ravindra Bharathi these were paid programs, but the price was well worth it. It was interesting to see some young people in the audience too (though the majority were gray haired).
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